關於time的英語格言精選
關於time的英語格言
All time is no time when it is past.光陰一去不復返。
Happiness takes no account of time.歡娛不惜時光逝。
Time and tide wait for no man.歲月無情；歲月易逝；歲月不待人。
Time cures all things.
Time flies.時光易逝。
Time is a great healer.
Time is money.一寸光陰一寸金。
Time past cannot be called back again.光陰一去不復返。
Time tames the strongest grief.時間能緩和極度的悲痛。
Time tries all.時間檢驗一切。
Time tries truth.時間檢驗真理。
To him that does everything in its proper time, one day is worth three.事事及時做，一日勝三日。
To save time is to lengthen life.節省時間就是延長生命。
Tomorrow comes never.切莫依賴明天。
Time flies like an arrow.光陰似箭。
我在遠方思念你(英漢對照)(朋友篇)
1. Missing is like an endless river, a tender and soft cloud, a fragrant flower and a music of bamboo flute.
思念像一條流不盡的江河,思念像一片溫柔的流雲,思念像一朵幽香陣陣的鮮花,思念像一曲餘音嫋嫋的蕭音.
2. Do you hear my song of yearning? It is flying with the sun to the far-flung frontier, lingering over your heart.
你可聽見,思念的歌,正隨着燦爛的陽光飛翔;飛到那遙遠的邊疆,縈繞在你的身旁.但願我們在同一片星空下編織同一份思念.
3. Although season, river and mountain will change, my missing for you will never change.
季節會改變,江山也會改變,我對你的思念,卻永遠不會改變.
4. When your missing is still in the envelope, my heart beats unstoppedly like a rabbit.
當你的思念,還蜷縮在信封中時, 我的心像只兔子已蹦個不停.
5. Song of missing in the distance is your long lingering; letter of missing sent from distance is my long waiting.
思念的歌聲從遠方飄來,那是你長久的徘徊;思念的信從遠方寄來,那是我漫長的等待.
經典口語，每日四句。
I couldn't stand rainy days .
總下雨真討厭。
I'm capable of doing it myself .
我自己能做。
I can't stand it any more .
我再也無法忍受了。
It's most irritaing .
真煩人。
今天這四句是發泄心中的不滿，希望心情不愉快的朋友變得愉快，心情好的朋友會更好。
study--餐館用餐
吃是很簡單的。在飯館就餐卻不是。。。如果你在一個陌生國度旅行，的確是不容易！但是不要害怕－我們不會讓你捱餓。請看一看這份一定能幫助你解決飢餓問題的重要用餐短語列表！
1. I'd like to make a reservation. 在一些餐館中，你需要事先訂位。準備好告訴餐館你們一共有多少人，你會到達的時間及你的名字。"I’d like to make a reservation for four at 8 p.m. for Kristi."前臺接待可能會問你的聯繫電話或是你是否需要吸菸區，事先考慮好這些信息。
2. Could you repeat that, please? 這個短語並不止用於在外用餐，但是卻是非常之重要。餐廳可能很吵。服務生說話也可能很快。如果你沒有聽懂什麼，就問他們，"Could you repeat that?"當然，簡單說，"Excuse me?"也可以。別怕用的太多！
3. We need another minute.如果服務生請你點菜而你還沒有決定的話你就可以使用這短語。你會聽到，"Are you ready to order?"用"Not yet. We need another minute,"或是"Can we have another minute?"回答。注意"a minute"在一個繁忙的餐館裏通常意味着服務生會在五分鐘後回來爲你點菜。
4. I'd like/I'll have ...這是兩句最重要的短語！使用"I'd like …"或是"I'll have …" 在點菜或是點飲料的時候。例如， "I'd like the spaghetti and some tea,"或是"I'll have a sandwich and a soft drink."手指着菜單也總是能讓人明白的！
5. Could you bring …? /Do you have …? 如果你要更多的物品，就說，"Could you bring some extra napkins?" 如果你想要什麼東西但是不確定餐館是否有的話就試着說，"Do you have …?" 例如，如果你想要橙汁但是菜單上沒有的話，就問， "Do you have orange juice?"
6. This isn't what I ordered.如果服務生送錯了菜，就說，"This isn't what I ordered, I ordered …"接着說你點的菜。這並不常見，但是如果真的發生的話，注意要說些什麼來糾正
7. Check, please! 當你準備要走時，捕捉到服務生的注意同時說， "Check, please!"作爲你用餐短小而簡單的結束語。
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鋼琴詩人肖邦
Frederic Francois Chopin
Frederic Francois Chopin, Polish-born composer and renowned pianist, was the creator of 55 mazurkas, 13 polonaises, 24 preludes, 27 etudes, 19 nocturnes, 4 ballads, and 4 scherzos.
Frederic Chopin was born in Zelazowa Wola, Poland, on February 22, 1810, to a French father and Polish mother. His father, Nicholas Chopin, was a French tutor to many aristocratic Polish families, later accepting a position as a French teacher at the Warsaw Lyceum.
Although Chopin later attended the Lyceum where his father taught, his early training began at home. This included receiving piano lessons from his mother. By the age of six, Chopin was creating original pieces, showing innate prodigious musical ability. His parents arranged for the young Chopin to take piano instruction from Wojciech Zywny.
When Chopin was sixteen, he attended the Warsaw Conservatory of Music, directed by composer Joseph Elsner. Elsner, like Zywny, insisted on the traditional training associated with Classical music but allowed his students to investigate the more original imaginations of the Romantic style as well.
As often happened with the young musicians of both the Classical and Romantic Periods, Chopin was sent to Vienna, the unquestioned center of music for that day. He gave piano concerts and then arranged to have his pieces published by a Viennese publishing house there. While Chopin was in Austria, Poland and Russia faced off in the apparent beginnings of war. He returned to Warsaw to get his things in preparation of a more permanent move. While there, his friends gave him a silver goblet filled with Polish soil. He kept it always, as he was never able to return to his beloved Poland.
French by heritage, and desirous of finding musical acceptance from a less traditional audience than that of Vienna, Chopin ventured to Paris. Interestingly, other young musicians had assembled in the city of fashion with the very same hope. Chopin joined Franz Liszt, Hector Berlioz, Felix Mendelssohn, Vincenzo Bellini, and Auguste Franchomme, all proponents of the "new" Romantic style.
Although Chopin did play in the large concert halls on occasion, he felt most at home in private settings, enjoying the social milieu that accompanied concerts for the wealthy. He also enjoyed teaching, as this caused him less stress than performing. Chopin did not feel that his delicate technique and intricate melodies were as suited to the grandiose hall as they were to smaller environments and audiences.
News of the war in Poland inspired Chopin to write many sad musical pieces expressing his grief for "his" Poland. Among these was the famous "Revolutionary Etude." Plagued by poor health as well as his homesickness, Chopin found solace in summer visits to the country. Here, his most complex yet harmonic creations found their way to the brilliant composer's hand. The "Fantasia in F Minor," the "Barcarolle," the "Polonaise Fantasia," "Ballade in A Flat Major," "Ballade in F Minor," and "Sonata in B Minor" were all products of the relaxed time Chopin enjoyed in the country.
As the war continued in Warsaw and then reached Paris, Chopin retired to Scotland with friends. Although he was far beyond the reach of the revolution, his melancholy attitude did not improve and he sank deeper into a depression. Likewise, his health did not rejuvenate either. A window in the fighting made it possible for Chopin to return to Paris as his health deteriorated further. Surrounded by those that he loved, Frederic Francois Chopin died at the age of 39. He was buried in Paris.
Chopin's last request was that the Polish soil in the silver goblet be sprinkled over his grave.
鋼琴詩人肖邦
肖邦是近代浪漫派的抒情音樂家，他在音樂史中，是一位神祕、愛國而最富於詩意生命的鋼琴家。他一生創作了55部馬祖卡舞曲，13部波羅涅滋，24首序曲，27首練習曲，19首夜曲，4首敘事曲以及4部詼諧曲。
1810年2月12日，肖邦出生于波蘭華沙郊區的熱拉佐瓦沃拉。他的父親尼古拉斯是具有波蘭血統的法國人，而母親卻是一位純粹的波蘭人。尼古拉斯原本是波蘭貴族家庭的一名法語教師，後來到華沙的一所中學教授法語。
肖邦最初接觸音樂的.機會是跟隨母親學鋼琴。六歲那年，肖邦創作出了人生的第一部作品，充分展現了他與生俱來的非凡的音樂天賦。不久後，他進入了父親所在的學校學習，並在父母的安排下，跟隨捷克音樂家W.日夫尼學習鋼琴。
中學畢業後，肖邦進入華沙音樂學院學習，從師德國音樂家J.A.F埃爾斯納。與日尼夫相同的是，埃爾斯納在堅持古典派推崇的傳統練習外，鼓勵學生們從浪漫派中吸取靈感。
離開華沙音樂學院後，肖邦來到了當時的音樂聖地－維。在那裏，肖邦不僅舉行了多場音樂會，也發表了不少音樂作品。在波蘭民族運動走向高潮，與沙俄的戰爭一觸即發的時候，肖邦身在奧地利。不久，他回到華沙爲出國做準備。臨行前，華沙音樂學院的師生們爲他送行，並贈以盛滿祖國泥土的銀盃。儘管從此肖邦再也沒有回到他深愛着的祖國，他一直保存着這捧祖國的泥土。
爲了得到更多浪漫派聽衆的認可，加上自己擁有一半的法國血統，肖邦來到了法國巴黎。有趣的是，許多抱有同樣想法的年輕音樂家們也都聚集到了這座流行之都。在這裏，肖邦結識了西歐文藝界許多重要人物，包括匈牙利藝術家李斯特，柏遼茲，意大利音樂家貝利尼等新浪漫主義的擁護者。
儘管肖邦有時也在大型音樂廳演出，但他更喜歡在家或是一些私人的場合，享受更融洽的氛圍。他也更喜歡教學時放鬆的心情。肖邦認爲他細緻優美的演奏技巧和紛繁的旋律更適合小環境演奏，而不適合宏偉的音樂廳。
波蘭陷入戰火的消息促使他寫了許多充滿悲傷的作品，以表達對祖國波蘭的哀傷與思念，其中包括名曲《革命練習曲》。肖邦的健康狀況一直不佳，加上思鄉心切，一度患上肺病，曾在法國南部療養。期間寫過不少成名的珍品。《F小調幻想曲》，《威尼斯船歌》，《幻想波羅涅滋舞曲》，《降A大調敘事曲》，《F小調敘事曲》，《B小調奏鳴曲》等都是在南部療養時創作的。
戰事從華沙蔓延到了巴黎，肖邦不得不和朋友們躲避至蘇格蘭。雖然肖邦遠離了波蘭的戰火，但他憂鬱的情緒絲毫沒有改善，反而陷入了更深的沮喪之中。同樣地，他的健康狀況也沒有恢復。回巴黎後，肖邦的健康狀況急劇下降，最終在友人們的陪伴下逝世於巴黎的寓所中，結束了短短39年的生命。他的遺體被安葬在巴黎。
肖邦最後的遺願是將銀盃中祖國波蘭的泥土撒在他的墓碑上。
Words:
Mazurka 馬祖卡舞曲
Polonaise 波羅涅滋
Prelude 序曲
Etude 練習曲
Nocturne 夜曲
Ballad 敘事曲
Scherzo 詼諧曲
Prodigious 非凡的
Melancholy 憂鬱的
Rejuvenate 恢復，復原
Deteriorate 惡化，衰退
